Once again, Watch With Mothers enables us to take a look behind the metaphysical curtain of disbelief-suspension, unshrouding the machinery of thespianism and removing the cloak of stage mystery. Using the UK’s premier drama series – a show whose very title has become a byword for ‘believability’ – we take our example from the fictitious realm of Walford, and pluck one of the show’s more devastating performer’s out in solitude in order to better examine her acting methodology – so that we might learn a thing or two from her craft.
